Neoclassicism (1750-1830)

Neoclassicism (1750-1830)

The term Neoclassicism refers to the classical revival in European art, architecture, and interior design that lasted from the mid-eighteenth to the early nineteenth century. This period gave rebirth to the art of ancient Rome and Greece and the Renaissance as an opposition to the ostentatious Baroque and Rococo art that preceded the movement. Although the movement spread throughout Western Europe, France and England were the countries that used the style most frequently in their arts and architecture, using the classical elements to express ideas of nationalism, courage, and sacrifice. The movement was inspired by the discovery of ancient Italian artifacts at the ruins of Herculaneum and Pompeii. Neoclassicism emphasized rationality and the resurgence of tradition. Neoclassical artists incorporated classical styles and subjects, including columns, pediments, friezes, and other ornamental schemes in their work. They were inspired by the work of Homer and Plutarch and John Flaxmann’s illustrations for the Illiad and Odyssey. Other classic models included Virgil, Raphael, and Poussin among others. Neoclassical painters took extra care to depict the costumes, settings, and details of classical subject matter with as much accuracy as possible. Much of the subject matter was derived from classical history and mythology. The movement emphasized line quality over color, light, and atmosphere.


Cupid and Psyche by Guillaume Seignac


Neoclassicism (1750-1830)

A Summer Pastoral (1749)

A Summer Pastoral (1749)


Title: A Summer Pastoral
Français: Un Été pastoral
Русский: Летняя пастораль

Year: 1749
Technique: Oil on canvas
Dimensions: 259 × 197 cm (101.97 × 77.56 in)

Artist: François Boucher (1703–1770)
François Boucher (September 29, 1703 – May 30, 1770) was a French painter, a proponent of Rococo taste, known for his idyllic and voluptuous paintings on classical themes, decorative allegories representing the arts or pastoral occupations, and intended as a sort of two-dimensional furniture.


http://commons.wikimedia.org/wiki/File:Boucher_A_Summer_Pastoral.jpg


1740s paintings by François Boucher | 1749 paintings | Bagpipers in art | Baskets in art | Cows in art | Eye contact in art | Females with flowers in art | Flower crowns in art | Oil paintings of people | Paintings by Boucher in the Wallace Collection | Paintings in the Wallace Collection | Pastoral paintings by Boucher | People with landscape backgrounds | People with goats in art | People with sheep in art | Rococo paintings of people | Rococo pastoral paintings | Straw hats in art | Summer in art | Rococo (1700-1760)

Apollon et Daphné, vers 1743-1744

Apollon et Daphné, vers 1743-1744 Creator/Artist Name: Tiepolo, Giovanni Battista Date of Birth/Death: 1696.03.05-1770.03.27 Location of Birth/Death: Venedig / Madrid Work location: Venedig, Veneto, Würzburg, Madrid
Its copyright has expired in the United States and those countries with a copyright term of no more than the life of the author plus 100 years.
Daphne, Apollon

Diana leaving her Bath (1742)

Diana leaving her Bath (1742)



Artist: François Boucher (1703–1770)
Title: Diana leaving her Bath
Diane sortant du bain
Year: 1742
Technique: Oil on canvas
Dimensions: 57 × 73 cm (22.44 × 28.74 in)
Current location: Musée du Louvre, Sully, Department of Paintings, 2nd floor, room 38, Paris


1740s paintings by François Boucher | 1742 paintings | Actaeon | Bathing women in art | Companions of Diana | Diana by François Boucher | Females with dogs in art | French paintings in the Louvre - Room 38 | Getting dressed | Mythological paintings by François Boucher | Oil paintings of women | Paintings by Boucher in the Louvre | Paintings of nude sitting females | Paintings of nude females in nature | Paintings of adolescent girls | Paintings of dogs | Paintings with two nude females | Rococo paintings of women