Courbet Selfportrait
Gustave Courbet
Jean Désiré Gustave Courbet (10 June 1819–31 December 1877) was a French painter who led the Realist movement in 19th-century French painting. The Realist movement bridged the Romantic movement (characterized by the paintings of Théodore Géricault and Eugène Delacroix), with the Barbizon School and the Impressionists. Courbet occupies an important place in 19th century French painting as an innovator and as an artist willing to make bold social commentary in his work.
Realism
Courbet was a painter of figurative compositions, landscapes, seascapes, and still-lifes. He courted controversy by addressing social issues in his work, and by painting subjects that were considered vulgar: the rural bourgeoisie and peasantry, and the working conditions of the poor. His work belonged neither to the predominant Romantic nor Neoclassical schools. History painting, which the Paris Salon esteemed as a painter's highest calling, did not interest Courbet, who stated that "the artists of one century [are] basically incapable of reproducing the aspect of a past or future century ..." Instead, he believed that the only possible source for a living art is the artist's own experience.
His work, along with the work of Honoré Daumier and Jean-François Millet, became known as Realism. For Courbet realism dealt not with the perfection of line and form, but entailed spontaneous and rough handling of paint, suggesting direct observation by the artist while portraying the irregularities in nature. He depicted the harshness in life, and in so doing, challenged contemporary academic ideas of art.
Influence
Courbet was admired by many younger artists. Claude Monet included a portrait of Courbet in his own version of Le dejeuner sur l'herbe from 1865-1866. Courbet's particular kind of realism influenced many artists to follow, notably among them the German painters of the Leibl circle, James McNeill Whistler, and Paul Cézanne. Courbet's influence can also be seen in the work of Edward Hopper, whose "Bridge in Paris" (1906) and "Approaching a City" (1946) have been described as Freudian echoes of Courbet's "The Source of the Loue" and "The Origin of the World."
http://en.wikipedia.org/wiki/Gustave_Courbet
History of painting
1819 births | 1877 deaths | People from Doubs | French painters | French anarchists | French socialists | Realist painters | People of the Paris Commune | Légion d'honneur refusals
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