John William Godward
John William Godward (9 August 1861 – 13 December 1922) was an English painter from the end of the Pre-Raphaelite / Neo-Classicist era. He was a protégé of Sir Lawrence Alma-Tadema but his style of painting fell out of favour with the arrival of painters like Picasso. He committed suicide at the age of 61 and is said to have written in his suicide note that "the world was not big enough" for him and a Picasso.
His already estranged family, who had disapproved of him becoming an artist, were ashamed of his suicide and burned his papers. No photographs of Godward are known to survive.
English painters | 1861 births | 1922 deaths | Burials at Brompton Cemetery | People of the Victorian era | People of the Edwardian era
Showing posts with label Victorian Classicism. Show all posts
Showing posts with label Victorian Classicism. Show all posts
Frederic Leighton (1830-1896)
Frederick Leighton
Frederic Leighton, 1st Baron Leighton PRA (3 December 1830–25 January 1896), known as Sir Frederic Leighton, Bt, between 1886 and 1896, was an English painter and sculptor. His works depicted historical, biblical and classical subject matter. Leighton was bearer of the shortest-lived peerage in history; after only one day his hereditary peerage became extinct.
Biography
Leighton was born in Scarborough to a family in the import and export business. He was educated at University College School, London. He then received his artistic training on the European continent, first from Eduard Von Steinle and then from Giovanni Costa. When in Florence, aged 24, where he studied at the Accademia di Belle Arti, he painted the procession of the Cimabue Madonna through the Borgo Allegri. He lived in Paris from 1855 to 1859, where he met Ingres, Delacroix, Corot and Millet.
In 1860, he moved to London, where he associated with the Pre-Raphaelites. He designed Elizabeth Barrett Browning's tomb for Robert Browning in the English Cemetery, Florence in 1861. In 1864 he became an associate of the Royal Academy and in 1878 he became its President (1878–96). His 1877 sculpture, Athlete Wrestling with a Python, was considered at its time to inaugurate a renaissance in contemporary British sculpture, referred to as the New Sculpture. His paintings represented Britain at the great 1900 Paris Exhibition.
Leighton was knighted at Windsor in 1878, and was created a Baronet, of Holland Park Road in the Parish of St Mary Abbots, Kensington, in the County of Middlesex, eight years later. He was the first painter to be given a peerage, in the New Year Honours List of 1896. The patent creating him Baron Leighton, of Stretton in the County of Shropshire, was issued on 24 January 1896; Leighton died the next day of angina pectoris.
s he was unmarried, after his death his Barony was extinguished after existing for only a day; this is a record in the Peerage. His house in Holland Park, London has been turned into a museum, the Leighton House Museum. It contains a number of his drawings and paintings, as well as some of his sculptures (including Athlete Wrestling with a Python). The house also features many of Leighton's inspirations, including his collection of Iznik tiles. Its centrepiece is the magnificent Arab Hall. The Hall is featured in issue ten of Cornucopia.
Timeline
1864 - Associate of the Royal Academy
1868 - Royal Academy Academician
1878 - President of the Royal Academy
1878 - Légion d'honneur Officer
1878 - Knight Bachelor
1886 - Created Baronet in the Baronetage of the United Kingdom
1889 - Associate member of the Institute of France
1896 - Created Baron in the Peerage of the United Kingdom
Selected works
Death of Brunelleschi (1852), oil on canvas
The Fisherman and the Siren, c. 1856 - 1858 (66.3 x 48.7 cm)
Cimabue's Celebrated Madonna is carried in Procession through the Streets of Florence (1853-5), oil on canvas. This was his first major work and was exhibited at the Royal Academy. Queen Victoria was so taken with it that she bought it for 600 guineas on the opening day of the exhibition.
The Discovery of Juliet Apparently Lifeless (c.1858)
The Villa Malta, Rome (1860s), oil on canvas
The Painter's Honeymoon, c. 1864 (83.8 x 77.5 cm)
Mother and Child, c. 1865, (48.2 x 82 cm)
Actaea, the Nymph of the Shore (1868), oil on canvas, (57.2 x 102.2 cm) National Gallery of Canada, Ottawa.
Daedalus and Icarus, c. 1869, (138.2 x 106.5 cm)
Hercules Wrestling with Death for the Body of Alcestis (1869–71) (132.4 x 265.4 cm)
Greek Girls Picking up Pebbles by the Sea, 1871 (84 x 129.5 cm)
Teresina (circa 1874) Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch, New Zealand
Music Lesson, c. 1877, (92.8 x 118.1 cm)
An Athlete Wrestling with a Python (1877), bronze sculpture
Nausicaa, c. 1878 (145 x 67 cm)
Winding the Skein, c. 1878, (100.3 x 161.3 cm)
Light of the Harem, c. 1880, (152.4 x 83.8 cm)
Wedded, (c. 1881 - 1882) (145.4 x 81 cm)
Captive Andromache, c. 1888 (197 x 406.5 cm)
The Bath of Psyche, (c. 1889−90) (189.2 x 62.2 cm) Tate Gallery
The Garden of the Hesperides, c. 1892, (169 x 169 cm)
Flaming June (1895), oil on canvas, Museo de Arte de Ponce, Puerto Rico (120.6 x 120.6 cm)
The Parable of the Wise and Foolish Virgins (Fresco)
The armlet
Phoebe (55.88 x 60.96 cm)
A Bather
The Leighton Frescoes, The Arts of Industry as Applied to War and The Arts of Industry as Applied to Peace
http://en.wikipedia.org/wiki/Frederick_Leighton
http://en.wikipedia.org/wiki/File:1880_Frederic_Leighton_-_Self_portrait.jpg
1830 births | 1896 deaths | Barons in the Peerage of the United Kingdom | English painters | English sculptors | History artists | People of the Victorian era | Prix de Rome for painting | People from Scarborough, North Yorkshire | Royal Academicians | Old Gowers | Knights Bachelor | Artists' Rifles officers | Academic art | Officiers of the Légion d'honneur | Victorian Classicism
| Born | 3 December 1830, Scarborough, England |
| Died | 25 January 1896 (aged 65), London, England |
| Nationality | English |
| Field | painting and sculpture |
| Training | Eduard Von Steinle |
| Movement | Academicism, Victorian Classicism |
| Works | Flaming June |
| Influenced | Frank Bernard Dicksee |
| Awards | Prix de Rome, Légion d'honneur |
Frederic Leighton, 1st Baron Leighton PRA (3 December 1830–25 January 1896), known as Sir Frederic Leighton, Bt, between 1886 and 1896, was an English painter and sculptor. His works depicted historical, biblical and classical subject matter. Leighton was bearer of the shortest-lived peerage in history; after only one day his hereditary peerage became extinct.
Biography
Leighton was born in Scarborough to a family in the import and export business. He was educated at University College School, London. He then received his artistic training on the European continent, first from Eduard Von Steinle and then from Giovanni Costa. When in Florence, aged 24, where he studied at the Accademia di Belle Arti, he painted the procession of the Cimabue Madonna through the Borgo Allegri. He lived in Paris from 1855 to 1859, where he met Ingres, Delacroix, Corot and Millet.
In 1860, he moved to London, where he associated with the Pre-Raphaelites. He designed Elizabeth Barrett Browning's tomb for Robert Browning in the English Cemetery, Florence in 1861. In 1864 he became an associate of the Royal Academy and in 1878 he became its President (1878–96). His 1877 sculpture, Athlete Wrestling with a Python, was considered at its time to inaugurate a renaissance in contemporary British sculpture, referred to as the New Sculpture. His paintings represented Britain at the great 1900 Paris Exhibition.
Leighton was knighted at Windsor in 1878, and was created a Baronet, of Holland Park Road in the Parish of St Mary Abbots, Kensington, in the County of Middlesex, eight years later. He was the first painter to be given a peerage, in the New Year Honours List of 1896. The patent creating him Baron Leighton, of Stretton in the County of Shropshire, was issued on 24 January 1896; Leighton died the next day of angina pectoris.
s he was unmarried, after his death his Barony was extinguished after existing for only a day; this is a record in the Peerage. His house in Holland Park, London has been turned into a museum, the Leighton House Museum. It contains a number of his drawings and paintings, as well as some of his sculptures (including Athlete Wrestling with a Python). The house also features many of Leighton's inspirations, including his collection of Iznik tiles. Its centrepiece is the magnificent Arab Hall. The Hall is featured in issue ten of Cornucopia.
Timeline
1864 - Associate of the Royal Academy
1868 - Royal Academy Academician
1878 - President of the Royal Academy
1878 - Légion d'honneur Officer
1878 - Knight Bachelor
1886 - Created Baronet in the Baronetage of the United Kingdom
1889 - Associate member of the Institute of France
1896 - Created Baron in the Peerage of the United Kingdom
Selected works
Death of Brunelleschi (1852), oil on canvas
The Fisherman and the Siren, c. 1856 - 1858 (66.3 x 48.7 cm)
Cimabue's Celebrated Madonna is carried in Procession through the Streets of Florence (1853-5), oil on canvas. This was his first major work and was exhibited at the Royal Academy. Queen Victoria was so taken with it that she bought it for 600 guineas on the opening day of the exhibition.
The Discovery of Juliet Apparently Lifeless (c.1858)
The Villa Malta, Rome (1860s), oil on canvas
The Painter's Honeymoon, c. 1864 (83.8 x 77.5 cm)
Mother and Child, c. 1865, (48.2 x 82 cm)
Actaea, the Nymph of the Shore (1868), oil on canvas, (57.2 x 102.2 cm) National Gallery of Canada, Ottawa.
Daedalus and Icarus, c. 1869, (138.2 x 106.5 cm)
Hercules Wrestling with Death for the Body of Alcestis (1869–71) (132.4 x 265.4 cm)
Greek Girls Picking up Pebbles by the Sea, 1871 (84 x 129.5 cm)
Teresina (circa 1874) Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch, New Zealand
Music Lesson, c. 1877, (92.8 x 118.1 cm)
An Athlete Wrestling with a Python (1877), bronze sculpture
Nausicaa, c. 1878 (145 x 67 cm)
Winding the Skein, c. 1878, (100.3 x 161.3 cm)
Light of the Harem, c. 1880, (152.4 x 83.8 cm)
Wedded, (c. 1881 - 1882) (145.4 x 81 cm)
Captive Andromache, c. 1888 (197 x 406.5 cm)
The Bath of Psyche, (c. 1889−90) (189.2 x 62.2 cm) Tate Gallery
The Garden of the Hesperides, c. 1892, (169 x 169 cm)
Flaming June (1895), oil on canvas, Museo de Arte de Ponce, Puerto Rico (120.6 x 120.6 cm)
The Parable of the Wise and Foolish Virgins (Fresco)
The armlet
Phoebe (55.88 x 60.96 cm)
A Bather
The Leighton Frescoes, The Arts of Industry as Applied to War and The Arts of Industry as Applied to Peace
http://en.wikipedia.org/wiki/Frederick_Leighton
http://en.wikipedia.org/wiki/File:1880_Frederic_Leighton_-_Self_portrait.jpg
1830 births | 1896 deaths | Barons in the Peerage of the United Kingdom | English painters | English sculptors | History artists | People of the Victorian era | Prix de Rome for painting | People from Scarborough, North Yorkshire | Royal Academicians | Old Gowers | Knights Bachelor | Artists' Rifles officers | Academic art | Officiers of the Légion d'honneur | Victorian Classicism
Flaming June (1895)
Flaming June, by Fredrick Lord Leighton (1830-1896)
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| Artist | Frederic Leighton, 1st Baron Leighton (1830–1896) |
| Title | English: Flaming June Español: Junio flameante Français : June flamboyante Italiano: Avvampante giugno 日本語: フレイミング・ジューン Slovenčina: Žeravý jún |
| Year | ~1895 |
| Technique | Oil on canvas |
| Dimensions | 120.6 × 120.6 cm (47 3/8 × 47 3/8 in) |
| Current location | Museo de Arte de Ponce, Ponce, Puerto Rico |
Andromeda (1869)
| Artist | Edward John Poynter (1836–1919) |
| Title | English: Andromeda Français : Andromède |
| Date | 1869 |
| Technique | Oil on canvas |
| Dimensions | English: (49.53 x 33 cm) |
| Current location | Private collection |
http://commons.wikimedia.org/wiki/File:1869_Edward_Poynter_-_Andromeda.jpg
Edward Poynter | 1869 paintings | Andromeda | Paintings of nude standing females
Victorian Classicism (1830- )
Victorian Classicism
Britain, Mid to Late 19th Century. Victorian Classicism was a British form of historical painting inspired by the art and architecture of Classical Greece and Rome. Although the word classical often implies direct inspiration from antique art, but this is not a necessary part of the concept, and according to context the word might be intended to convey little more than the idea of clarity of expression, or alternatively of conservatism. In the context of Greek art, the term `Classical' has a more precise meaning, referring to the period between the Archaic and Hellenistic periods, when Greek culture is thought to have attained its greatest splendor. The term `classic' is used to refer to the best or most representative example of its kind in any field or period. In the 19th century, an increasing number of Western Europeans made the Grand Tour to Mediterranean lands. There was a great popular interest in the region's lost civilizations and exotic cultures, and this interest fuelled the rise of Classicism in Britain, and Orientalism, which was mostly centered in continental Europe. The Classicists were closely associated with the Pre-Raphaelites, many artists being influenced by both styles to some degree. Both movements were highly romantic and were inspired by similar historical and mythological themes -- the key distinction being that the Classicists epitomized the rigid Academic standards of painting, while the Pre-Raphaelites were initially formed as a rebellion against those same standards. Frederick Leighton and Lawrence Alma-Tadema were the leading Classicists, and in their lifetimes were considered by many to be the finest painters of their generation.
Art Cyclopedia http://www.artcyclopedia.com/history/victorian-classicism.html
All Paintings http://www.allpaintings.org/v/Victorian+Classicism/
Victorian Classicism (1830-)
Britain, Mid to Late 19th Century. Victorian Classicism was a British form of historical painting inspired by the art and architecture of Classical Greece and Rome. Although the word classical often implies direct inspiration from antique art, but this is not a necessary part of the concept, and according to context the word might be intended to convey little more than the idea of clarity of expression, or alternatively of conservatism. In the context of Greek art, the term `Classical' has a more precise meaning, referring to the period between the Archaic and Hellenistic periods, when Greek culture is thought to have attained its greatest splendor. The term `classic' is used to refer to the best or most representative example of its kind in any field or period. In the 19th century, an increasing number of Western Europeans made the Grand Tour to Mediterranean lands. There was a great popular interest in the region's lost civilizations and exotic cultures, and this interest fuelled the rise of Classicism in Britain, and Orientalism, which was mostly centered in continental Europe. The Classicists were closely associated with the Pre-Raphaelites, many artists being influenced by both styles to some degree. Both movements were highly romantic and were inspired by similar historical and mythological themes -- the key distinction being that the Classicists epitomized the rigid Academic standards of painting, while the Pre-Raphaelites were initially formed as a rebellion against those same standards. Frederick Leighton and Lawrence Alma-Tadema were the leading Classicists, and in their lifetimes were considered by many to be the finest painters of their generation.
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| Flaming June by Frederick Leighton | Andromeda by Edward John Poynter |
Art Cyclopedia http://www.artcyclopedia.com/history/victorian-classicism.html
All Paintings http://www.allpaintings.org/v/Victorian+Classicism/
Victorian Classicism (1830-)
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