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Showing posts with the label 1600

Baroque (1600-1750)

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Baroque (1600 - 1750) Early Baroque art appeared in Italy in the late 16th century, while some countries such as Germany and colonial South America did not adopt the style until as late as the 18th century. It was the popular style during the Counter-Reformation in the 17th century. Some of its characteristics are evident in Dutch art, but it was mainly limited to Catholic countries. Not solely associated with religious art, the Baroque style can also be seen in other forms such as Dutch still-life paintings. At the beginning of the 17th century, the Baroque style spread from Rome and migrated to varying countries, evolving as artists fused it with the traditions of their native countries. Spain and Latin America added extravagance to the style, while other countries made it more conservative. The movement never gained popularity in Holland or England, but was successful in Flanders, supported by Peter Paul Rubens. In France, the Baroque style was favored by the monarchy and used in ...

Mannerism (1520-1600)

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Mannerism (1520 - 1600) Mannerism was an art style that focused on the human form, depicted in intricate poses and in exaggerated, not always realistic settings. The term Mannerism was derived from the Italian word maniera, translated as “style.” It developed in Florence and Rome between 1520 and 1600, as a style that rejected the balance of the Renaissance period in favor of a more emotional and distorted point of view. This art style reflected the tension in Europe at the time of its popularity. The movement eventually gained favor in northern Italy and most of central and northern Europe. Paintings contained artificial color and unrealistic spatial proportions. Figures were often elongated and exaggerated, positioned in imaginative and complex poses. Works of the movement are often unsettling and strange, probably a result of the time period’s upheaval from the Reformation, the plague, and the sack of Rome. In 1600, Mannerists were accused of disrupting the unity of Renaissance cl...

Renaissance (1400-1600)

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Renaissance (1400-1600) Italy became a center of commerce between Europe and Eurasia, thus a Cultural Diffusion point between the Europeans and the Muslims. Also, Italy was home to many wealthy families, willing to finance education. The Medici family ruled Florence and advocated the arts and sciences. These aristocrats among others would pay people to learn and create for them, spreading knowledge into the lower classes. With this rebirth of intellect came the greater interest in Ancient Greek and Roman culture that inspired the revival of Classicism. The Italian Renaissance is divided into three major phases: Early, High, and Late Renaissance. The Early Renaissance was lead by sculptor Donatello, architect Filippo Brunelleschi, and painter Masaccio. They began the movement on the foundations that development and progress was integral to the evolution and survival of the arts. They found their inspiration form antiquity, creating realistic figures that portrayed personality and beha...