_Arts

Bather (1870) Artist: William-Adolphe Bouguereau (1825–1905) Title: Bather Year: 1870 http://en.wikipedia.org/wiki/File:William-Adolphe_Bouguereau_(1825-1905)_-_Bather_(1870).jpg

Truth Artist: Jules Joseph Lefebvre (1836–1911) Title: Truth (La Vérité) Year: 1870 Technique: Oil on canvas Dimensions: 265 × 112 cm (104.33 × 44.09 in) Permission: PD-Art This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, Australia, the European Union and those countries with a copyright term of life of the author plus 70 years.

Hudson River School America, 1835 to 1870. The Hudson River School was a mid-19th century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by romanticism. The paintings for which the movement is named depict the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and the White Mountains; eventually works by the second generation of artists associated with the school expanded to include other locales. Overview Neither the originator of the term Hudson River School nor its first published use has been fixed with certainty. The term is thought to have originated with the New York Tribune art critic Clarence Cook or the landscape painter Homer D. Martin. As originally used, the term was meant disparagingly, as the work so labeled had gone out of favor when the plein-air Barbizon School had came into vogue among American patrons and collectors. Hudson River School paintings reflect three themes of A...

Barbizon School The Barbizon school (1830–1870) of painters is named after the village of Barbizon near Fontainebleau Forest, France, where the artists gathered. The Barbizon painters were part of a movement towards realism in art which arose in the context of the dominant Romantic Movement of the time. In 1824 the Salon de Paris exhibited works of John Constable. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. One of them, Jean-François Millet, extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), Millet portrays three peasant women working at the harvest. There is no d...