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Showing posts with the label Hudson River School

Albert Bierstadt (1830-1902)

Albert Bierstadt Albert Bierstadt (January 7, 1830 - February 18, 1902) was a German-American painter best known for his large, detailed landscapes of the American West. In obtaining the subject matter for these works, Bierstadt joined several journeys of the Westward Expansion. Though not the first artist to record these sites, Bierstadt was the foremost painter of these scenes for the remainder of the 19th century. Bierstadt was part of the Hudson River School, not an institution but rather an informal group of like-minded painters. The Hudson River School style involved carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. Albert Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the Düsseldorf School in Düsseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in N...

Autumn in the Conway Meadows (1858)

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Autumn in the Conway Meadows Looking towards Mount Washington, New Hampshire Description: "Autumn in the Conway Mountains Looking Towards Mount Washington," oil on canvas, by the American painter Albert Bierstadt. Date: 1858 Source: http://www.the-athenaeum.org/art/full.php?ID=24779 Author: Albert Bierstadt (1830–1902)

Hudson River School (1835-1870)

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Hudson River School America, 1835 to 1870. The Hudson River School was a mid-19th century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by romanticism. The paintings for which the movement is named depict the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and the White Mountains; eventually works by the second generation of artists associated with the school expanded to include other locales. Overview Neither the originator of the term Hudson River School nor its first published use has been fixed with certainty. The term is thought to have originated with the New York Tribune art critic Clarence Cook or the landscape painter Homer D. Martin. As originally used, the term was meant disparagingly, as the work so labeled had gone out of favor when the plein-air Barbizon School had came into vogue among American patrons and collectors. Hudson River School paintings reflect three themes of A...