Liberty Leading the People (Eugène, 1830)

Liberty Leading the People (Eugène, 1830)


ArtistEugène Delacroix (1798–1863)
TitleLiberty Leading the People
Deutsch: Die Freiheit führt das Volk.
Español: La libertad guiando al pueblo.
Français : La Liberté guidant le peuple.
Русский: Свобода, ведущая народ.
Tiếng Việt: Nữ thần Tự do dẫn dắt nhân dân
Year1830
TechniqueOil on canvas
Dimensions325 × 260 cm (128.0 × 102.4 in)
Current locationMusée du Louvre, Paris, France
NotesRomantic history painting. Commemorates the French Revolution of 1830 (July Revolution) on 28 July 1830.
Español: Pintura histórica romántica. Conmemora la Revolución francesa el 28 de Julio de 1830.
Français : Peinture historique romantique. Commémore les Trois Glorieuses (la Révolution de Juillet) le 28 juillet 1830.
Tiếng Việt: Tác phẩm trường phái lãng mạn. Minh họa cuộc cánh mạng tháng Bảy năm 1830 tại Pháp.

http://en.wikipedia.org/wiki/File:Eug%C3%A8ne_Delacroix_-_La_libert%C3%A9_guidant_le_peuple.jpg
http://en.wikipedia.org/wiki/Romanticism


Romanticism (1800-1850)

Victorian Classicism (1830- )

Victorian Classicism

Britain, Mid to Late 19th Century. Victorian Classicism was a British form of historical painting inspired by the art and architecture of Classical Greece and Rome. Although the word classical often implies direct inspiration from antique art, but this is not a necessary part of the concept, and according to context the word might be intended to convey little more than the idea of clarity of expression, or alternatively of conservatism. In the context of Greek art, the term `Classical' has a more precise meaning, referring to the period between the Archaic and Hellenistic periods, when Greek culture is thought to have attained its greatest splendor. The term `classic' is used to refer to the best or most representative example of its kind in any field or period. In the 19th century, an increasing number of Western Europeans made the Grand Tour to Mediterranean lands. There was a great popular interest in the region's lost civilizations and exotic cultures, and this interest fuelled the rise of Classicism in Britain, and Orientalism, which was mostly centered in continental Europe. The Classicists were closely associated with the Pre-Raphaelites, many artists being influenced by both styles to some degree. Both movements were highly romantic and were inspired by similar historical and mythological themes -- the key distinction being that the Classicists epitomized the rigid Academic standards of painting, while the Pre-Raphaelites were initially formed as a rebellion against those same standards. Frederick Leighton and Lawrence Alma-Tadema were the leading Classicists, and in their lifetimes were considered by many to be the finest painters of their generation.


Flaming June by Frederick LeightonAndromeda by Edward John Poynter


Art Cyclopedia http://www.artcyclopedia.com/history/victorian-classicism.html
All Paintings http://www.allpaintings.org/v/Victorian+Classicism/


Victorian Classicism (1830-)

The Nude Maja

The Nude Maja


Artist: Francisco de Goya (1746–1828)
Title: The Nude Maja
Deutsch: Die nackte Maja
Español: la Maja desnuda
Français : La Maja nue

Year: 1800-1803
Technique: Oil on canvas
Dimensions: 97 × 190 cm


References

http://commons.wikimedia.org/wiki/File:Francisco_de_Goya_y_Lucientes_011.jpg


The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project. The compilation copyright is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License.


Female nude in paintings | Classicist paintings | Realist paintings | Maja (Goya) | Rococo paintings of women | Paintings by Francisco de Goya

Orientalism (1800-1900)

Orientalism

(1800 - 1900) Following the conquest of Egypt by France and the subsequent takeover by the British in late 18th century, Western Europeans found a new interest in the Near and Middle East. The Orientalist movement began when artists began painting their experiences as they traveled to countries such as Turkey, Persia, Iraq, Egypt, Lebanon, Palestine, Arabia, and North Africa. The movement lasted about a century and captivated many of the major artists of the 19th century, who created detailed and realistic paintings of their new subject matter.


The Harem Bath (also known as A Bath, Woman Bathing Her Feet) by Jean-Léon GérômePygmalion and Galatea 2 by Jean-Léon Gérôme


Orientalism (1800-1900)

Romanticism (1800-1850)

Romanticism (1800-1850)

The Romantic Movement spread from art into literature and philosophy. It emphasized emotional, spontaneous and imaginative approaches. In the visual arts, Romanticism came to signify the departure from classical forms and an emphasis on emotional and spiritual themes. Caused by the sudden social changes that occurred during the French Revolution and the Napoleonic era, Romanticism was formed as a revolt against Neoclassicism and its emphasis on order, harmony, balance, idealization, and rationality. Romanticism began in Germany and England in the 1770’s, and had spread throughout Europe by the 1820’s. Not long after, its influence had spread overseas to the United States. The movement focused on imagination, emotion, and freedom by way of subjectivity and individualism. Artists believed in spontaneity, freedom from boundaries and rules, and living a solitary life free from societal boundaries. Romantic artists believed that imagination was superior to reason and beauty. They loved and worshipped nature and were dedicated to examining human personality and moods. Romantics were inherently curious, investigating folk cultures, ethnic origins, the medieval era. They admired the genius and the hero, focusing on one’s passion and inner struggle. Romantics also were interested in anything exotic, mysterious, remote, occult, and satanic. As a movement that began as an artistic and intellectual movement that rejected the traditional values of social structure and religion, it encouraged individualism, emotions, and nature. Artists held personal spirit and creativity above formal training and saw the artistic process as a transcendental journey and spiritual awakening. Romantic techniques were developed to produce associations in the mind of the viewer. These foundations of the Romantic Movement were influential in the development of Symbolism and later Expressionism and Surrealism.


Liberty Leading the People by Eugène (1830)


Romanticism (1800-1850)

Western Art

Western Art

When Shadows Hint Death by Charles Marion Russell (1864-1926)
Western Art, American, XIX